Sunday, May 31, 2020

Five Zambia Travel Books. Pre-COVID-19 Recreational Reading

Five Zambia Travel Books. Pre-COVID-19 Recreational Reading 

I was scheduled to visit Livingstone, Zambia for a meeting (22nd AETFAT 2020) in March 2020. In preparation for the trip, I read a number of travel guides and accounts of the area. Due to the COVID-19 Pandemic, the trip was cancelled (but currently rescheduled for later in 2020). 


In preparation for that trip, I read a great piece of fiction (The Old Drift) by Namwali Serpell, works by and about David Livingston


The following five books were all interesting and provided some helpful hints in planning for the trip. I hope I can follow up on them!


Beyond the Victoria Falls: Forays into Zambia, Zimbabwe, Botswana and Namibia (2012) by Gill Staden


Katie travels to Victoria Falls and Okavango Delta (2013) by Catherine Black

  • Read: January 11, 2020 | Buy on Kindle


Zambia - Culture Smart!: The Essential Guide to Customs & Culture (2018) by Andrew Loryman

Greater Than a Tourist- Livingstone Zambia Africa: 50 Travel Tips from a Local (2018) by Lillian M. Simwanza.


The Victoria Falls, Zambesi River: sketched on the spot (during the journey of J Chapman & T. Baines) (1865) by Thomas Baines



More reading from 2020:





Saturday, May 30, 2020

Missionary Travels and Researches in South Africa (1857) by David Livingstone & The Daring Heart of David Livingstone (2014) by Jay Milbrandt | David Livingstone in Africa: his own account and a biography. Pre-COVID-19 Recreational Reading

Missionary Travels and Researches in South Africa
(1857) by David Livingstone & The Daring Heart of David Livingstone (2014) by Jay Milbrandt | David Livingstone in Africa: his own account and a biography. Pre-COVID-19 Recreational Reading 


I was scheduled to visit Livingstone, Zambia for a meeting (22nd AETFAT 2020) in March 2020. In preparation for the trip, I read a number of travel guides and accounts of the area. Due to the COVID-19 Pandemic, the trip was cancelled (but currently rescheduled for later in 2020). 


In preparation for that trip, I read a great piece of fiction (The Old Drift) by Namwali Serpell, skimmed a number of historical travel accounts, read some guidebooks, and went deep into the story of David Livingstone. 


The accounts from roughly the same time period that I skimmed were:


  • A Popular Account of Dr. Livingstone's Expedition to the Zambesi and Its Tributaries And of the Discovery of the Lakes Shirwa and Nyassa (1858-1864) by David Livingstone (1861)

  • Explorations in South-west Africa. Being an account of a journey in the years 1861 and 1862 from Walvisch bay, on the western coast, to lake Ngami and the Victoria Falls by Thomas Baines (1864) 

  • The Victoria Falls, Zambesi River: sketched on the spot (during the journey of J. Chapman & T. Baines) by Thomas Baines (1865)

  • Travels in the interior of South Africa, comprising fifteen years' hunting and trading; with journeys across the continent from Natal to Walvis Bay, and visits to Lake Ngami and the Victoria Falls (Volume 2) by James Chapman (1868)


For those interested, I highly recommend the Livingstone Online project from the University of Nebraska.


Missionary Travels and Researches in South Africa (1857) by David Livingstone

Livingstone is an excellent writer and sensitive and attuned to the environment he travels in. No modest person would undertake the work he did.


“I think I would rather cross the African continent again than undertake to write another book. It is far easier to travel than to write about it.” -- Missionary travels and researches in South Africa by David Livingstone (1857)


The Daring Heart of David Livingstone: Exile, African Slavery, and the Publicity Stunt That Saved Millions (2014) by Jay Milbrandt


Milbrandt writes an excellent account of Livingstone’s true mission to Africa, not to make converts, but to end the East African slave trade. Milbrandt doesn’t gloss over Livingstone’s failings as a person nor valorize him as a saint. As he notes in his introduction:


“If David Livingstone pursued one purpose, it was freedom from the African slave trade. This vile desecration bled Africa—“the open sore of the world”—and Africa’s wounds ran deep into Livingstone’s soul. His search for the mighty Nile River merely powered Livingstone’s wheel of abolition.” -- The Daring Heart of David Livingstone: Exile, African Slavery, and the Publicity Stunt That Saved Millions (2014) by Jay Milbrandt



More reading from 2020:

Friday, May 29, 2020

Data Communities A New Model for Supporting STEM Data Sharing (2019) by Danielle Cooper (@dm_cooper) and Rebecca Springer (@Rsspringer1). @IthakaSR. COVID-19 Professional Reading

Data Communities A New Model for Supporting STEM Data Sharing (2019) by Danielle Cooper (@dm_cooper) and Rebecca Springer (@Rsspringer1). @IthakaSR. COVID-19 Professional Reading


Administrators, funders, librarians, publishers, and even the researchers themselves, have been struggling with what it means to “share data.” In an environment where “open” is officially revered, what it means to be open, to share, and to appropriately document this -- as well as making the data findable, accessible, interoperable, and reusable (FAIR) -- can be challenging, and at best confusing. 


This issue brief, from Ithaka S+R tackles the issue from the STEM standpoint (set of disciplines that is at the same time easier and harder than tackling the humanities) and creates the term “Data Community” to define a group that could facilitate data sharing:


“We contend that stakeholders who wish to promote data sharing – librarians, information technologists, scholarly communications professionals, and research funders, to name a few – should work to identify and support emergent data communities. These are groups of scholars for whom a relatively straightforward technological intervention, usually the establishment of a data repository, could kickstart the growth of a more active data sharing culture.”


The authors are careful to note that a "Data Community" is not a discipline, but rather:


“A data community is a fluid and informal network of researchers who share and use a certain type of data, such as crystallographic structures, DNA sequences, or measurements relating to natural disasters.”


The characteristics of successful Data Communities include:


  • Bottom-Up Development 

  • Absence or Mitigation of Technical Barriers 

  • Community Norms 


As libraries, publishers, and funders have built systems, services and platforms for a range research information management (RIM) activities, the overall uptake by scholars and researchers has been spotty. Here, in the context of the data communities, the researchers suggest: 


“Instead of pouring resources into “build it and they will come” strategies, information professionals, publishers and policy makers should take a ground-up approach to data sharing support.”


They continue:


“Over the past two decades, many academic libraries have invested considerable staff and financial resources into developing and utilizing institutional repositories. Most of these repositories were initially built to store and make available academic gray literature, such as unpublished reports, dissertations, and preprints of articles destined for publication. However, in recent years, librarians have begun exploring ways to repurpose institutional repositories as platforms to enable data sharing; an extensive literature details the successes and challenges of these efforts.”

* * * * *


“While institutional repositories serve other useful purposes, we believe that they are a vehicle ill-suited to the support of data communities that cross institutional boundaries. By its nature, the institutional repository segregates information according to the college or university at which it was created, while at the same time bringing together the vast array of different types of data created within and across the institution’s departments. While this may fulfill an institution’s preservation mandate, such repositories are not conducive to supporting the way scientific research is conducted, with researchers from different institutions working together on focused projects.”


Academic libraries, generally, have not worked within the larger ecosystems of formal or informal data communities to support and advance their activities or ability to share data. 


“It is also worth reflecting on the need to rethink the role of academic libraries specifically in supporting data sharing. The academic institution – and, by extension, its library – is not always the appropriate scale on which to address the challenges that scientists face. Librarians who want to effectively support scientists must find creative ways to contribute their expertise within the broader, cross-institutional, interdisciplinary ecosystem of scientific research. Awareness is the first step: librarians should understand to which data communities scientists at their institutions belong.”


The growing evidence that the authors cite of the formation of data communities as extra mural activities of researchers, leads to the radical thought that: “The best opportunities for librarians to leverage their unique expertise in designing information systems to support science research may lie outside the university altogether.”


In a time of constrained budgets, the ability of university and library administrators to realize the seemingly altruistic activity of devoting resources to activities with no direct connection to the organization (unlike, say, an institutional repository), will involve an important leap of faith. 


An excellent and thought provoking report.


Thursday, May 28, 2020

The Stranger (1942) by Albert Camus (translated by Matthew Ward). COVID-19 Recreational Reading

The Stranger (1942) by Albert Camus (translated by Matthew Ward). COVID-19 Recreational Reading 

"Aujourd’hui, maman est morte." Perhaps one of the most infamous opening lines in 20th century literature. From that staccato opening, Camus explores, in the first person, the life of the French Algerian Meursault. The death of his mother interrupts, perhaps, his life and he travels to the retirement home in the country where she has been living and now died. Meursault recounts his time at the home, the funeral and burial of his mother. A brief time that Meursault is later forced to relive at his trial for murder through the testimony of others. 

After his mother’s funeral, we follow Meursault’s life at work, at his dingy home, meeting with his friends, the re-kindling of his relationship with Marie, a former co-worker. How Meursault ended up a murderer is never clear, even to him:

“Fumbling a little with my words and realizing how ridiculous I sounded, I blurted out that it was because of the sun.”

Meursault is sent to prison to await execution. As he waits in his cell, refuses to talk a priest, but at last, nearing the time of execution, the priest imposes himself on Meursault:

“He wanted to talk to me about God again, but I went up to him and made one last attempt to explain to him that I had only a little time left and I didn’t want to waste it on God.”

At last, nearing the moment of death, Meursault reaches the Existential tipping point, like Sisyphus, one must imagine him happy:

"As if that blind rage had washed me clean, rid me of hope; for the first time, in that night alive with signs and stars, I opened myself to the gentle indifference of the world. Finding it so much like myself—so like a brother, really—I felt that I had been happy and that I was happy again."

A note on the opening line: The English translation of the opening line, most often, "Today, Mother died," has been subject to much scholarly discussion. The Ward translation, topic if this post, chooses instead, "Today, maman died." Ward retains the French term that lies somewhere between mother/mommy/mom. For an exploration of the opening line, see "Lost in Translation: What the First Line of The Stranger Should Be" by Ryan Bloom from the The New Yorker (11 May 2012).


Wednesday, May 27, 2020

A selection of Annual Reports. @LYRASIS | @GlobalSI | @FulbrightAssoc | @EPRC_official | @SmithsonianDPO. COVID-19 Professional Reading

A selection of Annual Reports. @LYRASIS | @GlobalSI | @FulbrightAssoc | @EPRC_official | @SmithsonianDPO. COVID-19 Professional Reading 

Annual Report. Digitization Program Office. Smithsonian Institution.
  • 2019 Annual Report. Digitization Program Office. Smithsonian Institution. Published 2020. 12 pp. Read: May 24, 2020 | Find Online
  • 2018 Annual Report. Digitization Program Office. Smithsonian Institution. Published 2019. 14 pp. Read: August 10, 2019 | Find Online
  • 2017 Annual Report. Digitization Program Office. Smithsonian Institution. Published 2018. 13 pp. Read: May 24, 2020 | Find Online

Annual Report 2016-2017. Economic Policy Research Centre (Uganda). Published 2018. 36 pp.

2019 Annual Report. Lyrasis. Published 2020. 24 pp.

2019 Annual Report. Smithsonian Institution Office of International Relations. Published 2020.  18 pp.

2018 Annual Report. Fulbright Association. Published 2019. 29 pp. 
Annual reports of organizations are a great way to follow what happened during the previous year and also to get an idea of where the organization hopes to go in the future. Formats, length, style vary from organization to organization and even from year to year Above are a group of annual reports I’ve ready over the past couple weeks.





Tuesday, May 26, 2020

A Season in Hell (1873) & The Drunken Boat (1871) by Arthur Rimbaud (translated by Louise VarĆØse with an introduction by Patti Smith). COVID-19 Recreational Reading

A Season in Hell (1873) & The Drunken Boat (1871) by Arthur Rimbaud (translated by Louise VarĆØse with an introduction by Patti Smith). COVID-19 Recreational Reading

I’ve had a copy of the New Directions first edition of this volume since 1979. I got this second edition, the same translation by Louise VarĆØse, but with a short preface by Patti Smith. Smith, herself with a Rimbaud streak in her, notes that “To be spent, wrung out, is his dream. And how shall he be spent? Rimbaud knows too well the unfortunate answer.” And what is that answer? 

Jadis, si je me souviens bien, ma vie Ć©tait un festin où s’ouvraient tous les cœurs, où tous les vins coulaient. Un soir, j’ai assis la BeautĆ© sur mes genoux.—Et je l’ai trouvĆ©e amĆØre.—Et je l’ai injuriĆ©e.  -- Une Saison En Enfer

Once, if I remember well, my life was a feast where all hearts opened and all wines flowed. One evening I seated Beauty on my knees. And I found her bitter. And I cursed her. -- A Season in Hell.

Rimbaud’s literary reputation is based primarily on three works, these two and Illuminations (1874). His brief poetic career helped create the Symbolist (along with Paul Verlaine) in a Parisian lifestyle fueled by absinthe that defined la vie BohĆØme. Giving up poetry (and Europe) at 21, he traveled east and to Africa where he worked as a merchant in dubious good, dying, in Marseilles, at 37. 

Perhaps the power of his influence over artists is in his embrace of the not yet named “counter culture”: 

L’enfer ne peut attaquer les paĆÆens. / Hell has no power over pagans.
 -- Une Saison En Enfer

Connais-je encore la nature? me connais-je?—Plus de mots. J’ensevelis les morts dans mon ventre. Cris, tambour, danse, danse, danse, danse! Je ne vois mĆŖme pas l’heure où, les blancs dĆ©barquant, je tomberai au nĆ©ant. Faim, soif, cris, danse, danse, danse, danse!  -- Une Saison En Enfer

Do I know nature yet? Do I know myself?—No more words. I bury the dead in my belly. Shouts, drums, dance, dance, dance, dance! I cannot even see the time when, white men landing, I shall fall into nothingness. Hunger, thirst, shouts, dance, dance, dance, dance!  -- A Season in Hell

Whatever is was that drove him to embrace an (albeit exotic and adventurous) mercantile life can best be summed up with this quote: 

Farce continuelle? Mon innocence me ferait pleurer. La vie est la farce Ć  mener par tous. / Farce without end? My innocence would make me weep. Life is the farce we all have to lead.
 -- Une Saison En Enfer

Pictured is the cover from the paperback copy (read first back in 1979 and whose cover is now loose from the text block). This read was from the more recent edition with an introduction by Patti Smith.

Monday, May 25, 2020

Antony and Cleopatra (1607) by William Shakespeare. COVID-19 Recreational Reading

Antony and Cleopatra (1607) by William Shakespeare. COVID-19 Recreational Reading

As one of Shakespeare's Roman history plays, Antony and Cleopatra is not as engaging, for me, as Julius Caesar. In my mind, Antony and Cleopatra is a "love story" ruined by the machinations of the complex politics (and military adventures) of the three triumvirs who ruled the Roman Empire after the murder of Julius Caesar. The large cast moils about the play (see in particular Act III and much of Act IV that are a rapid fire sequence of short scenes) with staccato reports of battles or doings in Rome. Beyond the titular Antony and Cleopatra, Enobarbus (of Antony's crew) is the most compelling while Octavia (sister of Octavian and second wife of Antony) the most pitiable.

Key comment: I am currently reading Shakespeare in the Folger Shakespeare Library revised editions on Kindle for iPad (seven plays down). Beyond the stellar notes, accompanying essays, and other critical apparatus, the presentation on the iPad (with linked notes, ease of moving between notes, illustrations, essays, etc.) makes for great reading experience that far surpasses my cinder block sized edition of The Riverside Shakespeare. Speaking of the Riverside, I'll note that one of the editorial team for these Folger Shakespeare Library editions is Dr. Deborah Curren-Aquino, who was my undergraduate advisor (many a year ago!).
Running list of plays read in these editions:
  • Antony and Cleopatra (April 19-May 11, 2020)
  • Julius Caesar (November 29-December 7, 2019)
  • Richard III (November 16-28, 2019)
  • The Winter's Tale (November 2-11, 2019)
  • Macbeth (June 1-19, 2019)
  • King Lear (March 26-31, 2019)
  • Hamlet (November 22-December 1, 2018)

Saturday, May 23, 2020

Giovanni's Room (1956) by James Baldwin. COVID-19 Recreational Reading

Giovanni's Room (1956) by James Baldwin. COVID-19 Recreational Reading

Earlier this year I read Baldwin's Notes of a Native Son (1955, see earlier post) for the first time. A portion of that collection of autobiographical essays deals with Baldwin's reflections on Paris (where he had moved in the late 1940s). After finishing that non-fiction volume, I added Giovanni's Room to my list (which I had first read back in the 1980s/90s). In Giovanni's Room, Baldwin explores gender and sexuality through the lens of David, an American expatriate in 1950s France. Trapped between his alienation from his American birthplace and his identification by those in his Parisian milieu as an "American", David also struggles with the nature of his sexuality. When his fiancĆ© Hella leaves for Spain to evaluate her relationship with David, he falls into a relationship with a bartender, Giovanni, himself an Italian expatriate. Moving in with Giovanni, David remains conflicted about his feelings. When Hella returns, David makes a painful choice that leads to tragedy. Set primarily in the Left Bank neighborhoods of the 6th and 14th Arrondissements (Montparnasse and Saint-Germain-des-PrĆ©s, home to artists and writers such as Jean-Paul Sartre, Simone de Beauvoir, Man Ray, and Samuel Beckett), Giovanni's Room is also an encomium from an American to Paris. As Hella tells David:
"Americans should never come to Europe,” she said, and tried to laugh and began to cry, “it means they never can be happy again. What’s the good of an American who isn’t happy? Happiness was all we had.” 


Friday, May 22, 2020

Thirteen O'Clock: Stories of Several Worlds (1937) by Stephen Vincent BenƩt. COVID-19 Recreational Reading

Thirteen O'Clock: Stories of Several Worlds (1937) by Stephen Vincent BenƩt

BenĆ©t was a staple of junior high reading back in the day. Never as well-known as his American contemporaries (Fitzgerald, Stein, Faulkner, Wharton, Hurston, Hemingway, Wolfe, Buck) today, he is probably best known for "John Brown's Body" (1928), an epic poem which won the Pulitzer Prize. This collection of stories includes three well known works, 'The Devil and Daniel Webster', 'The Sobbin' Women' (later turned into the musical 'Seven Brides for Seven Brothers' (1954), and, perhaps most famously, 'By the Waters of Babylon'). 'Babylon', a classic (and early) post-apocalyptic depiction of a collapsed world society was written in response to the Fascist bombing of Guernica during the Spanish Civil War. At one point, the young narrator, after exploring the ruins of what was New York, recounts the advice of his father: "He was right—it is better the truth should come little by little. I have learned that, being a priest. Perhaps, in the old days, they ate knowledge too fast."

Thursday, May 21, 2020

No Time to Spare: Thinking About What Matters (2017) by Ursula K. Le Guin. COVID-19 Recreational Reading

No Time to Spare: Thinking About What Matters (2017) by Ursula K. Le Guin. COVID-19 Recreational Reading

You may best know Le Guin for her Earthsea novels (starting with A Wizard of Earthsea in 1968) and a number of other classic works of fiction including The Left Hand of Darkness (1969); The Dispossessed (1974); and her series of children's books, Catwings (1988-99). The Lathe of Heaven (1971), is her most compelling single volume for me. No Time to Spare is a collection of short essays, first published on Le Guin's blog (which she started at age 81). She muses on various subjects (how to eat an egg, the difficulties of aging, and the joy her young cat, Pard, brings her). A nice peak into the lightly filtered mind of the great writer as she reminds us that:
"We can’t question reality directly, only by questioning our conventions, our belief, our orthodoxy, our construction of reality. All Galileo said, all Darwin said, was, 'It doesn’t have to be the way we thought it was.'" or that "Actually, I don’t exactly have expectations. I have hopes, and fears."

Wednesday, May 20, 2020

South and West: From a Notebook (2017) by Joan Didion. COVID-19 Recreational Reading

South and West: From a Notebook (2017) by Joan Didion

The non-fiction work of Joan Didion is one of my go-to reads. I recently completed the brief South and West. The work is based on the notebooks she kept of her travels in the US South and her native West (Northern California). I think her work resonates with me as a fellow Californian (growing up between the Pacific breakers and the snowy Sierra Nevada) who leaves the West to go "Back East" to live. South and West has an unfinished feel (some of the  chapters appear in more polished form in other collections), but Didion's brilliant, "cool" (in the Marshal McLuhan sens) prose is always a pleasure:
"Part of it is simply what looks right to the eye, sounds right to the ear. I am at home in the West. The hills of the coastal ranges look 'right' to me, the particular flat expanse of the Central Valley comforts my eye. The place names have the ring of real places to me. I can pronounce the names of the rivers, and recognize the common trees and snakes. I am easy here in a way that I am not easy in other places."

Tuesday, May 19, 2020

Me (2019) by Elton John. COVID-19 Recreational Reading

Me (2019) by Elton John. COVID-19 Recreational Reading 

Recently, I finished Elton John's autobiography, Me (2019). It follows many of the tropes (art/excess/celebrities, aka Sex and Drugs and Rock 'n' Roll!) of the rock & roll auto/biography genre, but at the same time does include quite of bit of non-typical self-reflection and self-directed humor. I would have liked some more commentary on the creation of the songs/albums (what? no discussion of the legendary Thom Bell Philly Sound session!). A light and entertaining read that I paired with watching the "Rocketman" biopic (which didn't do the book justice) and listening to the albums from "Empty Sky" through "Victim of Love".

Monday, May 18, 2020

A Journal of the Plague Year (1722) by Daniel Defoe. COVID-19 Recreational Reading

A Journal of the Plague Year (1722) by Daniel Defoe. COVID-19 Recreational Reading 

Such a fitting book to read at this time. I'd read A Journal of the Plague Year many and many a year ago. A very timely read:
"I might be more particular as to this part, but it may suffice to mention in general, all trades being stopped, employment ceased: the labour, and by that the bread, of the poor were cut off; and at first indeed the cries of the poor were most lamentable to hear, though by the distribution of charity their misery that way was greatly abated. Many indeed fled into the counties, but thousands of them having stayed in London till nothing but desperation sent them away, death overtook them on the road, and they served for no better than the messengers of death; indeed, others carrying the infection along with them, spread it very unhappily into the remotest parts of the kingdom."

Sunday, May 17, 2020

Going Home (1957) by Doris Lessing. COVID-19 Recreational Reading

Going Home (1957) by Doris Lessing

For some reason, I've never quite been able to engage with Lessing. I've also, not, given her many chances. For many years, I had a copy of The Golden Notebook (1962), but never delved into it. In the 1990s, I read The Fifth Child (1988, which, though compelling, was personally disturbing). Going Home, a memoir of her return to her native Rhodesia (Zimbabwe) is a well done first hand account of the troubles and revelations that occur when she tries to re-engage with her native lands. Lessing's Leftist orientation (Marxist? Communist? Populist?) illuminates the inequalities and racism of 1950s Africa. At time didactic, Lessing's honesty, transparency, and ernest desire to create change, is not to be doubted. Lessing notes early in the book, the key concept under discussion:
"Africa belongs to the Africans; the sooner they take it back the better. But—a country also belongs to those who feel at home in it. Perhaps it may be that the love of Africa the country will be strong enough to link people who hate each other now."
  • Read: February 23 - March 22, 2020
  • See my complete 2020 Reading list on Goodreads.

Saturday, May 16, 2020

The Autobiography of Alice B. Toklas (1933) by Gertrude Stein. COVID-19 Recreational Reading


The Autobiography of Alice B. Toklas (1933) by Gertrude Stein

Paris, as Hemingway said, was a movable feast. Stein, and her long-time partner Alice B. Toklas, were those who set the table for the writers, artists, and others who passed through Paris in the 1920s and 1930s. Stein, through the lens of Toklas passes judgement on the geniuses they meet, the wives of the same (ironically, never finding a female spouse to be a genius, unless, it would be Stein herself). Picasso, Hemingway (said Stein: "Hemingway, remarks are not literature."), Picabia, Joyce, Braque, and more. Stein/Toklas touch upon many of the great works written during this time (e.g. The Making of Americans). And where, one wonders, channeling Stein, is one more an American, than in Paris? And on American's Stein/Toklas comments:
 "Americans, so Gertrude Stein says, are like spaniards, they are abstract and cruel. They are not brutal they are cruel. They have no close contact with the earth such as most europeans have. Their materialism is not the materialism of existence, of possession, it is the materialism of action and abstraction."
  • Read: February 25 - March 15, 2020
  • See my complete 2020 Reading list on Goodreads.